Saturday, July 14, 2007

The ring and the Circle

Something happened this weekend that sent me reeling back in time - in a scene reminiscent, if you've ever seen the movie "Somewhere in Time", of when Christopher Reeve finds a modern-day coin in the pocket of his hired period costume he'd used to astral project himself into a bygone era, and is sent hurtling back from whence he'd come.

I was removing my signet ring to place it on the nightstand and, in the dark, I heard a SNAP!. The band on the ring had severed, and I guess I'm up for a hefty amount to get the ring re-soldered, although maybe they can also re-seat and re-polish the bloodstone that is set into it at the same time?

The ring carries lots of sentimental value, and quite a bit of quirky McLean history to it. The ring used to belong to my paternal grandmother, Jessie and she bequeathed me the ring because as a kid I'd always impressed upon her that it was my favourite. We used to love looking at the dark green stone in strong sunlight together, as then you could discern the bloodspots within it. And yet, in normal light, or at first glance, the stone appeared to be a black onyx. Many years before even making a Will, my grandmother presented the ring to me one Christmas when I was in my late teens or early 20s, as she wanted to see me enjoying it. The ring has survived my skinny early 20s (with a size-reduction band clipped inside it) and my fattest periods when I feared it would become stuck fast, which is the main reason I made a point of removing it every night.

This ring is actually not the original. Nanny's first bloodstone ring was too big for her finger, especially on cold days, and one fateful town visit she hung it on a hook in the restrooms of David Jones in the city, lest it tumble into the toilet bowl. Of course, she then went home, taking her coat but leaving the ring still on the hook. Phoning the store's "Lost and Found" department that afternoon did no good; she'd have to travel back into the CBD, in person, to make an identification. When she told the staff she was seeking the return of her bloodstone ring, they said, "We're sorry, we have no red-stoned rings at all."

"No," said Nan. "It's a green stone with red bloodspots."

"We're sorry, we don't have any green-stoned rings either."

Of course, if it was in the tray in the back room, they probably thought it was a black onyx.

When my grandmother went to Proud's to order herself an identical replacement, they had to remodel a man's signet ring to achieve the appearance of the original. Ironic that the thinness of the remodeled ring is probably what caused it to snap on me this weekend. (I've been much tubbier, so I'm not blaming the thickness of my fingers this week.)

So I guess I'll soon be off to Prouds in the CBD to get a quote on a repair job.

But, as I said, the ring snapping sent me deep into the nostalgic recesses of my TV trivia-filled mind. Visions of my grandmother, sitting in her chair knitting or crocheting - usually for "her ladies" at the Coles store in Rockdale (another complicated story) - while my two brothers and I presented our absolute best behaviour to be allowed to watch our favourite television shows in glorious black and white: "The Magic Circle Club", as mentioned here a few days ago, "The Flying Nun", "The Dick Van Dyke Show", "Please Don't Eat the Daisies", "Batman", "Disneyland", "Captain Nice" and "Mr Terrific". Ah, the 60s!

Magic Circle Club cast pics
Max and Nancy with the "Magic Circle Club" cast; and a three-shot of Mother Hubbard, Fee Fee and Fredd Bear

In my case, today I resolved to search out an Internet contact for Max Bartlett, my idol and role model from the early 60s (before he was inevitably replaced by "Batman and Robin" - I mean, they had gum cards to collect!) And so I sent Mr Bartlett the fan letter I should have sent him in 1965. I'd never sent in any MCC fan mail for Nancy Cato or Liz Harris to read to Fredd Bear on the toadstool, so I thought I'd make up for it today and say, "Thanks for the memories".

Undoubtedly, Max was my favourite MCC character, and I recall the day I told my parents that "Max" was my middle name, since they hadn't given me one. As a teacher and teacher-librarian in 2007, I know only too well how influential television is on young lives. Luckily for me, I had "Magic Circle Club" to watch, but it's hard to convey to today's kids that there was ever anything better on TV of similar importance to "The Simpsons". I think of "The Magic Circle Club" often as I break up kids choking each other, Bart & Homer-style, in the playground.

As I write this, I have a sudden recollection of the episode where Max got tied up to one of the big papier-mache trees and had to be rescued. We all played MCC in the playground at school. Again, until "Batman" took precedence. You know, at Christmas, my grandmother used to take my brothers and I to visit Santa each year, in a magical grotto of papier-mache trees at Grace Bros' old Broadway store in Sydney - and we were convinced that we'd somehow found our way into the Enchanted Forest of "The Magic Circle Club" because of all those giant papier-mache trees. I could almost hear Fee Fee Bear (John-Michael Howson), and "her" high-pitched voice, screeching from within.

As a young adult, at teachers' college, I ended up spending three years (1977-79) in a building right behind the Grace Bros buildings - and was often there in GBs for lunch. One day, I actually ended up taking a wrong stairwell... and seeing a vast storage room, still filled with those papier mache trees from the early 60s!

Magic Circle Club dance routine
Magic Circle Club - in colour, as we never saw it on our b/w television monitors!

Bring on the papier-mache trees! And to Max, Nancy, John-Michael - and Jessie: "Thanks for the memories".

Friday, July 13, 2007

The space between... my ears?

I just read the final issue (#6) of IDW Publishing's "Star Trek: The Next Generation" comic mini-series, "The Space Between". Admittedly, I was on the train home coming home from the city, but I was really lost.

This issue made me feel as if I hadn't ever read issue #5, and I know I did - twice! - because that's the one with the Wesley Crusher photo cover and my comic shop can't seem to get any art cover versions from the distributors, dammit.

Issue #6 has me puzzled. Were they saying the main villain was a return of the insect-like "Conspiracy" aliens? Admiral Nechayev under alien control? The Tellarite hiding in the bushes at Starfleet Academy? Or some blond-bearded caterer whom Picard once knew? (I mean, who sent the damned complimentary Bularan canapes at the end, otherwise?)

I've been a big supporter of IDW doing Trek comics - and I'm loving "Klingons: Blood Will Tell", but this particular conclusion leaves me... underwhelmed!

I have to read it all again. But should I have to????

CAPTAIN'S LOG: SUPPLEMENTAL.
Okay, checking back through #5, the bearded guy in #6 is undoubtedly an older Hommun, from the agricultural planet, hence the canapes in #6 (I'd been joking about him being a caterer, but I wasn't that far off). In issue #5 he was lying to hide a mystery about chroniton particles, but was grateful that Picard took more interest in farming than Hommun's own children...

Mmmm. But the links aren't there in issue #6. At all.

How do you Google? Part III

Time to share some new wacky search terms on Google that have led poor deluded Internet surfers to my blog! According to my site meter, it's:

andorian fanfic

adam-12 books dead on arrival

old transformers toys purple phaser

entomology ebook blogspot.com

Star Trek Voyager Full episodes WMA

(WMA?)

trek TAS script aurelian

"taste of brazil" pyrmont

(actually, that's a popular one, and it finds them some good, brief information about that restaurant)

"cookie puffs"
(who can blame them?)

youtube phaser

squeaker squeak shoes

"Richard Arnold" + "Peter David"

(I'd recommend "But I Digress..." omnibus of articles by Peter David)

Raccoons in Christmas Costumes
(Awwww, cute! for Midwinter Christmas, perhaps?)

When I first put the site meter onto the blog, at the end of January, the blog was getting about 50 page views a day. That increased to almost 100 per day, until I went on vacation, which is how the readship fell to about 30 visitors per day. When I bought my screen-used Andorian robes on eBay, my hit rate reached almost 150 daily visitors, but this has settled back to about 60 per day.

People definitely stay on the site longer per visit, and read other pages while they're here. I do remain flummoxed about what people search for on the Internet: essentially, every topic - and combination of topics - you could ever imagine. Human beings are fascinating animals. (And 'm glad to be one. When I'm not an Andorian, that is.)

Thursday, July 12, 2007

Feeding/kicking the habit

After spending a fruitless two weeks trying to clean up the house in time for Midwinter Christmas - my collection backed up in January, you see, and POW! all over the house! - which has seen me moving piles of stuff from one room to another, one pile to another, desperately trying to squeeze stuff into overstuffed shelves, while continuing to dust it all and pretend to try and make it look orderly. It's driving me crazy.

I spent fifteen years in a two bedroom home unit (aka flat), and it took fifteen years of collecting to fill it. Then I moved to a three-bedroom house with a big family room (and no family!) and a double garage, but it's taken me only seven years to reach critical mass. Just trying to bring a sense of order to it all, every few months, sees me back on the Internet doing random Google searching just to ignore the impossible task.

I almost promised myself I'd stop collecting. (Dusting and sorting will do that to you.) I love what I have, and I love having it all displayed to look great, but it's soooo hard. And getting harder.

Tonight, I was in J&B Hi-Fi and they had a "buy two get one free" offer on boxed DVD sets of full-seasons of many TV shows. The four "fan collective" Star Trek sets were there ("Borg", "Q", "Klingons" and "Time Travel") for reduced price of $39 each, and I really don't need these, as I have all the regular season sets, but the offer seemed a great way to get the new text and audio commentaries, etc, that were created just for these boxed sets. If only I could find two more boxed season sets of something I needed, but alas, I think I already have everything I need from their sale stock, all bought at at full price, of course. Aaaarrrgghhh!!!

Anyway, you'll be proud of me: because... I put them back. After sorting through everything on the bargain table to find all four sets, then sorting through them again to find the undamaged cover slicks, I put them back.

I'll keep buying everything Star Trek (books, novels etc, and the remastered original TV series on high definition when it comes out), of course, but I'm really going to have to bite the bullet and kick this collecting habit.

But can I?

Wednesday, July 11, 2007

The magic of the 60s

Yesterday and today, while avoiding housework by trawling around the Internet, I uncovered a few stray bits of uploaded data about an Australian children's television show of 1965-67: "Magic Circle Club". What was frustrating was that no one had done any cross referencing, so the Wikipedia listing was very incomplete (and is still quite vague in many places), but at least it looks less patchy tonight, now that I've gotten stuck into it.

I was in Year 1 when "The Magic Circle Club" premiered. It was probably my first favourite show, and what a thrill when it even won a Logie Award! (Of course that usually dooms the great shows and, yes, eventually "The Magic Circle Club" was deemed too expensive, and many of the production staff and performers found themselves in a new, but similar, show called "Adventure Island".

The brainchild of a dynamic group of early TV identities, including Godfrey Philipp and John-Michael Howson, it owed a lot to the pantomime genre, and featured original songs, music and dance routines, which my brother and I watched in all their blurry, flickering, monotone haze, as Channel Ten was only very new, and our grandmother's television antennae received a very untrustworthy, twitchy signal from that frequency.

FreddwhiteNancywhiteMax
Cassius, Leonardo, Fredd, Nancy and Max, c. 1965


Its characters were the denizens of the Magic Forest: the mute Fredd Bear (Tedd Dunn) and his screechy sister Fee Fee Bear (hilariously played by John-Michael Howson in a hair bow and high heels); Mother Hubbard (a bustle-wearing pantomime dame, played by Fred Tupper); the handsome Max (Max Bartlett); Curley Dimples, a young Shirley Temple analogue; Marlena DeWitch (Marion Weir); Crystal Ball (Gabrielle Hartley) and her pet, Hep Cat (Nola Finn); and villain Sir Jasper Crookly (Ernie Bourne) - definitely a precursor to Snidely Whiplash and Dick Dastardly (and a full year before Professor Fate of "The Great Race")! Sir Jasper's sidekick was the sniveling, cowardly Gaspar Goblin (Colin McEwan), who was reminiscent of movie host, Deadly Earnest.

The show was hosted by Nancy Cato, cousin of a famous author, the other Nancy Cato. A later addition to the cast was Liz (Liz Harris), who also took over as hostess when Nancy Cato suffered temporary paralysis and was confined to a wheelchair.

The 550 episodes were serialised across five days, with the Friday program wrapping up each week's storyline. (This was a great frustration to my brother and I, since on Friday afternoons, we all often had to walk to Rockdale shopping centre - from Arncliffe, two suburbs away - to do any shopping my Mum and grandmother hadn't done the day before, ie. "Message Day"). Each episode finished up with the hostess sitting on a large toadstool (or indeed, the "Magic Mushroom"), with Fredd Bear crouched beside her (usually after dusting off the stool with a handkerchief), while the pair shared viewer letters and artwork. Another regular feature included knock-knock jokes with Cassius Cuckoo and limericks with Leonardo de Funbird, who were very expressive wooden and felt puppets.

A semi-regular guest character was Aunty Vale (Bunney Brooke) - what a highlight of my time putting together my (still uncompleted) "Number 96" book: to interview Bunney Brooke and get her chatting about being Aunty Vale all those years ago!

The "Magic Circle Club" was influential upon me in so many ways. Even though I was only in Year 1 and then Year 2 at school at the time, I have a very distinct memory of the day I wrote a "Magic Circle Club" play. There were scripted roles for all of my school friends, and I had my younger brother, who was one year below me at school, and couldn't read, to play the part of the silent Fredd Bear. Through trial and error, I realised why play scripts need to have everyone's parts written on each copy.

I remember making several working cardboard and paper models of Leonardo de Funbird, with an Origami "colour-changer" for a beak. I also recall making a tiny stapled book of character drawings from the show - obviously my very first fanzine production (a collector's edition: #1 of 1 copy!). I also remember making a matching volume for "Adventure Island" when it started the next year.

If you were around in 1965 and 1966, and remember any details of Australia's "Magic Circle Club", which I've omitted here, please do let me know!

Saavik - she's half Romulan, Jim

Many fans wonder from whence came the idea of Kirstie Alley's Lieutenant Saavik ("Star Trek II: The Wrath of Khan") being a Romulan-Vulcan hybrid. Sure, Vonda N McIntyre used the concept in her movie novelizations, but it was originally a (cut) scene from the actual movie. Lucky fans at a US film industry convention called ShoWest saw the scene in a presentation reel, long before the movie premiered:




Note that in "Star Trek III: The Search for Spock", Robin Curtis's Saavik is played as a full Vulcan, a choice made by her director, Leonard Nimoy (Spock) himself.

Monday, July 09, 2007

Blood - and time - will tell

Star Trek fans, I'm really enjoying IDW Publishing's Klingon mini-series!

After 40 years of innumerable Star Trek plots, including any number of licensed tie-in novels and comics that have provided new adventures, sequels and prequels to the aired episodes and movies, what makes this mini-series so fresh is that they are parallel adventures to the popular and well-known Klingon TOS episodes. The benefit of hindsight, and the contributions other, later Star Trek productions have made to the Klingon mythos, add to the drama.

Kor cover - Blood Will TellKoloth cover - Blood Will TellKrell cover - Blood Will TellMara cover - Blood Will Tell
Kor, Koloth, Krell, Mara (with Kang not far behind), oh my!


Issue #1 saw Klingon Commander Kor's seizure of a seemingly backwater planet, with Kirk and Spock as mere minor disguised players, but TOS fans who know "Errand of Mercy" well know that the power of the Organians will soon put a spanner in Kor's plans. An unexpected highlight is a cameo appearance, in flashback of Dr Phlox, of "Star Trek: Enterprise", as the results of that series' "Affliction" and "Divergence" Klingon episodes are recapped. This issue is also available in a Klingon language edition, complete with its script.

In Issue #2, a bumpy-headed Klingon is turned into Arne Darvin, Klingon spy - his bony bits are filed off while he's strapped naked to a slab! Ouch! Meanwhile, we discover how Koloth feels about the tribble debacle on Space Station K-7. It's the other side of "The Trouble With Tribbles" and is just as entertaining. In another heartwarming cameo, a gold-shirted Starfleeter, who closely resembles Ben Sisko of DS9 ("Trials and Tribble-ations"), happens to be wandering a corridor on some unmentioned mission.

I read Issue #3 recently. The cover (one of at least four variations) I selected is stunning and features Krell, of "A Private Little War", meeting a Mugatu. Krell is armed with a deadly Klingon knife we know only too well from its lethal use in "Star Trek III: The Search for Spock". Inside, he must fend off more Mugatu, and work with the native humanoid populace and arm them with new technology and weaponry, only to be thwarted time and again by James T Kirk who is (mostly "off-screen" and) evening up the odds with a rival group of natives. Again, it's the story of the episode from the Klingon point of view.

The artwork is interesting, but works extremely well. Sometimes quite stylized, and with Klingon physiques that take on superhero proportions, it moves at a frenetic pace and complements the text well. Each of the issues offer unique perspectives on the well-known episodes.

Issue #4 promises to be just as entertaining. The cover features Mara, Kang's wife, of "Day of the Dove" fame. And we know, from DS9, that Mara's future first born son will one day be slain by the mysterious Albino, and that Kang has mutual respect for people such as Curzon, a previous host of DS9's Trill science officer, Jadzia Dax ("Blood Oath"), and the future Captain Sulu (of Voyager's "Flashback"). It will be interesting to see what the story will entail.

Bookending each issue, a female Klingon named K'Ahlynn studies with her grandfather. This story arc appears to link with a "Star Trek VI: The Undiscovered Country" plot thread in the final issue (#5), as it seems to feature Gorkon from that movie.

And as I said in several recent posts, my only qualms concern the multiple covers for each issue from IDW. In the heyday of "The Next Generation", when ratings and tie-in sales were at maximum, the lines could support multiple covers. But my local shops aren't ordering enough copies to get a fair selection of the alternatives - recently, not even a choice - and that causes anxiety to: the anal collectors, who want a matched set of a certain cover style; and the completists, who want all four, or six or whatever, cover variations for each issue.

Sunday, July 08, 2007

Number 96 and the Demidenko connection

Well, what a surprise! Viewers of tonight's Where Are They Now probably guessed that the two (extra) special guests on the Number 96 reunion special would be iconic members of the cast, but I was anticipating Joe Hasham (as homosexual law student, Don Finlayson) and Abigail (as the vivacious but virginal Bev Houghton).

Now, I did know that the researchers at Network 7 really wanted Abigail on the show, and were having trouble tracking her down last year; she was thought to be in Europe, and even her agent had not heard from her in ages. Joe wasn't a difficulty; he'd already been a surprise guest for John Orcsik in the old Peter Luck version of Where Are They Now (1997).

It was a thrill to learn that Chard Hayward (as Don's campy lover, Dudley Butterfield) had agreed to return to Australia for Where Are They Now, to catch up with his former cast mates after 30 years. About ten years ago, the cast had tried to involve Chard with a literary project they were working on, but he preferred to stay focused on his new life as a director/actor in the USA. (Maybe you noticed his credit on early episodes of "Lost", on which he consulted about the Australian aspects of the scripts?)

Tonight's show can be summarised thusly:
WHERE ARE THEY NOW. (8/7/2007)
Presented by Melissa Doyle and David Koche. Featured Jeff Kevin (Arnold Feather), Sheila Kennelly (Norma Whittaker), Elaine Lee (Vera Collins Sutton), James Elliott (Alf Sutcliffe), Elisabeth Kirkby (Lucy Sutcliffe), Frances Hargreaves (Marilyn MacDonald), Chantal Contouri (as the pantyhose strangler herself: Tracey Wilson), and surprise guests, Joe Hasham (Don Finlayson) and Chard Hayward (Dudley Butterfield).


Pantyhose Strangler
From the Archives: Ian McLean meets the Pantyhose Strangler!

But for me, the biggest surprise tonight happened after the Number 96 segment: the appearance of controversial author, Helen Demidenko (aka Helen Darville, now aka Helen Dale), of The Hand That Signed the Paper infamy! What an amazing personal coincidence! You don't see a connection? Please allow me to explain:

Way back in 1995, I received the wonderful news that publishing company Allen & Unwin was considering offering me a contract for the book I'd proposed (and had half-finished): my social history on Number 96. My agent, Selwa Anthony, and I had just had lunch with the Allen & Unwin editor, and it all seemed extremely positive.

Arriving home, I immediately rang four people who'd been of significant assistance in getting my proposal out into the world of publishing: Nancy Cash, widow of Don Cash, from the team who originally produced Number 96; David Sale, the creator of the show, who'd been so supportive and generous of his time; and Valerie Parv and Natalie Jane Prior, two longtime friends who'd already become successful, published authors.

After his encouraging words of hopeful congratulation for the safe arrival of my first contract, David Sale had made some very witty jokes about Allen & Unwin's then-current debacle to do with Helen Demidenko, and the accusations of misrepresentation and plagiarism that were dogging her. It had been the only news event being talked about that whole week. David suggested I could impress Allen & Unwin by changing my name - to Ian Demidenko, or perhaps Ian Sale? - and gain some extra notoriety for my book.<

We'd fallen about hysterically but then I attempted to convey these same jokes to my pal Natalie, along with my news. Natalie was naturally thrilled for me having had what seemed to be such a successful meeting with my editor, and that we were about to share publishers, since Allen & Unwin had already published several of Natalie's children's books (including The Paw). Strangely, though, Natalie seemed rather cool towards the jokes at Ms Demidenko/Darville's expense. Of course, I had no way of knowing that said Helen D. had been hiding out at Natalie's house all week, in secret, and on the run from the media frenzy Helen had managed to create! (A few days later, a Sydney newspaper's poster outside the newsagents screamed, "FRIEND TELLS OF DARVILLE'S LIES!")

Alas, my book on Number 96 ended up not happening - the Allen & Unwin marketing people were rightly concerned there was no longer a big enough demographic wanting to buy a book about Number 96- sigh! - but my big day did end up in a book after all: The Demidenko Diary by Natalie Jane Prior, in which Natalie told the world of her bizarre association with the person who perpetrated one of Australia's most famous cases of literary fraud.

A quote from page 139, which takes place after another frantic day of Natalie fielding phone calls and complications about Helen and the employees at Allen & Unwin: "After all this I was a wreck. I had to take a few other calls, including one from a friend to say that his first book looked likely to be published by - you guessed it - Allen & Unwin". (Prior, Reed Books: 1996.)

Sometimes coincidence and serendipity create a synergy that really freaks me out. And here I was yesterday, saying I felt a bit left out of the reunion after helping them find people. (Especially after hearing that my old friend Andrew Mercado had been in the studio for the taping...) Thanks Network 7 for a fun show tonight, and for one more very bizarre coincidence!

By the way, for people searching out Chantal Contouri's Adelaide restaurant, it would seem to be the Original Barbecue Inn

.

Saturday, July 07, 2007

070707

Happy 07th of the 07th month, 07!

The number seven has always been my lucky number. I have a very distinct memory of a whispery female voiceover on a 60s station identification slide, for Australian television's Network 7, which proclaimed, "Seven is my lucky number..." and I thought, "Yeah, okay, mine too!"

And 7's been rather lucky for the deliciously wicked, 70s TV soap opera, "Number 96", in recent decades. (Moreso than at Network Ten, where they usually pretend to have moved on from "Number 96" - onto more sedate things like "Big Brother Uncut" and "Torchwood", perhaps?) ;-)

In Where Are They Now's previous incarnation - the Peter Luck version of a decade ago - I provided research for three 1997 episodes, which reunited James Elliott and Lis Kirkby (Alf & Lucy Sutcliffe); Arnold Feather with his first wife Patti (Jeff Kevin & Pamela Garrick); and actors Joe Hasham and John Orcsik, who reenacted Don and Simon's first embrace. Although I only helped with research again for tomorrow night's latest "Number 96" cast reunion on the revived "Where Are They Now" - how I wish I could have been there! - I was an onscreen interviewee for two previous Network 7 productions that focused on "96".

TONIGHT LIVE WITH STEVE VIZARD. (20/7/1993)
Hosted by Steve Vizard. Featured flashback footage and live interviews with Elaine Lee, Jeff Kevin and (to quote Vizard) "Number 96's own historian", Ian McLean. Comedian Vince Sorrenti conducted a live-cross to Sydney, for a tour of Moncur Flats, at 83 Moncur Street, Woollahra, the actual location of the Number 96 building of the credit sequences. Sadly, Abigail phone in sick. Her place was taken by Vizard writer, Steve Bedwell.

Tonight Live with Steve Vizard
TONIGHT LIVE WITH STEVE VIZARD


THE BEST OF AUSSIE DRAMAS: Part I. (7/11/2002)
Presented by Kate Ritchie of Home and Away. Contained numerous clips of Number 96, with sound byte comments from John Orcsik, Elaine Lee, Jeff Kevin, Lorrae Desmond, Vince Sorrenti and Ian McLean. Part II aired a week later, and a two-part focus on Aussie Cop Shows followed over the next fortnight, with additional sound byte comments from Paula Duncan, John Orcsik and Lorrae Desmond.

So long ago now... It seems like some wild fantasy, especially the Vizard experience, since I was whisked straight from work on the Tuesday afternoon, flown to Melbourne, dinner with the Elaine Lee and Jeff Kevin, dressing room drinks with Steve Vizard and Naomi Robson after the show, dessert in the wee hours with the celebrity guests, overnight at the exclusive Hotel Como (my suite had a doorbell!), and flown back to Sydney the next morning to arrive at work for a normal Wednesday in Punchbowl Public School's library, as if nothing had happened - and yet everyone had watched the show, live, the night before. Crazy, crazy days... my tiny taste of the everyday lives of some celebs!

Mel & Kochie have promised a big surprise for the Number 96 cast tomorrow. Any guesses? And hey, I just noticed: I'm talking about luck and Peter Luck in the same post. Just lucky, I suppose.

Friday, July 06, 2007

Number 96 cast reunion on Where Are They Now!


Bev & Don

All can now be revealed! (I've had to sit on this for months!) See the reunion of the Number 96 cast on Where Are They Now with Mel & Kochie, Network 7, Sunday night, 6.30pm, 8th July, 2007!

Trek fears

I have none for Star Trek XI, but it seems that there are still many who do.

I say to them, do you like "Lost"? I love it - and have great faith in JJ Abram's attention to detail and clever storytelling.

Have you seen the new "Transformers" movie? I haven't yet and was sure I'd hate it, not being a Transformers fan or collector of transforming robot toys, but friends who've just seen it are raving about how "geeky yet respectful" it is. The trailer looks amazing, and the movie is written by Alex Kurtzman & Roberto Orci, the new Star Trek movie writing team.

Do you like the music for "The Incredibles", "Mission: Impossible III" and "Lost"? The same composer, Michael Giacchino, has been signed up to score "Star Trek".

And George Lucas's ILM has been announced as the SPFX guys.

The new Trek film is gonna be cool.

I think I do have fears, though, for my IDW Star Trek comic collection. Although I'm really enjoying the new mini-series ("Star Trek: The Next Generation: The Space Between" and "Klingons: Blood Will Tell"), the multiple covers are driving me - and Kings Comics - crazy. Each issue comes in three - sometimes four - variant covers, and I decided I wanted to get only the art covers. The photo covers, which supposedly sell better in book stores than comic stores, are usually well-known publicity stills, so the new art on the drawn covers is usually far more compelling (to me).

However, the assortment is meant to be 50/50 of art/photo covers, with the rarer variants thrown in as bonuses for the comic store, for buying above a certain number of issues, to sell off at a higher premium. But now that Kings has downgraded their order, they are no longer being given that 50/50 split. Stock of issue #5 of "The Space Between" arrived only as Wesley Crusher photo covers and, so far, Kings' attempts to back order me an art cover is drawing (ha!) a series of blanks. Plus, there is no guarantee that the reorder will have an art cover; they might get sent more Wesley issues. Wah!

I do wonder how many Star Trek fans are madly collecting multiple issues of each comic to get all the cover variants. And how many gave up on the whole thing after issue #1.

Last night, on my way to the latest Star Trek Meet-up, I picked up the third issue of "Blood Will Tell" - art cover! - and it's fantastic! Review coming soon.

Beware the blog!



Mingle2

"This rating was determined based on the presence of the following words:
* dead (7x)
* shoot (2x)
* cum (1x)."

That last one had me scratching my head, but I did recently say "green Orion slave girl cum game show merchandise model" in a blog entry about our old Star Trek convention game shows.

And so now I've said "cum" four times all told. Anything for ratings, eh?

Thursday, July 05, 2007

The magic of eBooks

Every time someone on TrekBBS or Psi Phi mentions Star Trek eBooks (ie. downloadable electronic publications), there is a backlash of angry, resistant book readers who malign them as unwanted, unreliable rivals to "dead tree", hardcopy, paper versions.

The ranting never seems terribly IDIC (as in "Infinite Diversity in Infinite Combinations", to quote Spock's Vulcan philosophy) and, while I haven't embraced eBooks wholeheartedly to the extent that I'd dispose of my personal forest of dead trees, I really don't see them as evil, either.

How is computer file corruption any different to one's dead tree collection suffering from mould, tempest, flood, silverfish, carelessness or a light-fingered houseguest?

Closed minds = Star Trek? Something's wrong here... For some, eBooks are an amazing, unrivaled convenience of the modern/futuristic world. Some hardcopy book lovers assume that the eBook files are never replaceable, but there are several circumstances where eBooks are safer than MMBs or hardcovers! Most eBook sellers allow you to download a new free version if your previous file gets corrupted, so the chances are an eBook collection may survive certain conditions better than a paper collection.

I haven't had to ever do it, but I know when Amazon was selling the Pocket eBooks, you simply accessed an online folder with your Amazon password, and entered the credit card number you used to open up the original eBook, to download a new version. (I did used to wonder what happened if you ever had to switch credit cards, and were expected to still have the old number on file somewhere, but I'm assured places like ereader allow this number to be updated easily.)

I have such a pile of unread dead trees here that I haven't needed to make Star Trek eBooks a priority. The eBooks I've bought are things I've needed desperately (eg. "The Magic of Tribbles: The Making of Star Trek: Deep Space Nine: Trials and Tribble-ations", which was an eBook exclusive; the "New Frontier: No Limits" short story anthology, which I couldn't wait to read, and bought it while my hardcopy was in transit; and "SCE: Where Time Stands Still", a TAS episode sequel) but I haven't had the time to read even these files more than once, as there's just so much else to read.

A bit of a later bloomer with eBooks, I was held back by my old PowerMac, which didn't like eBook versions being offered. And the firewall at work prevented my downloading eBooks to the work PC. But everything simplified when I bought my iMac.

I did notice that the last time I upgraded Adobe Acrobat, my eBook copy of "Where Time Stands Still" is now refusing to open, but I'm not panicked as the dead tree reprint is due eventually, and I always intended to buy that. When SCE ("Starfleet Corps of Engineers") started up, it was an eBook-only series of short novels.

In fact, I probably think of eBooks as more like a video rental. If you want to see a new movie, you pay for your discounted ticket at the cinema, or rent the video, and get entertained, but you can't necessarily keep it. But if you want to ensure you have a more permanent copy, you buy the dead tree (or DVD) version when it comes out.

If the plastic on a VHS cassette breaks ten years after buying it, would the manufacturer replace it for free? If you drop a new (or old) book into the mud, would the publisher just give you a fresh copy? If a DVD breaks in half through no fault of your own, would it automatically be replaced?

The eBook corruption that would cause me the most concern is if anything ever happens to "The Magic of Tribbles" by Terry J Erdmann, Gary Hutzel & Paula M Block, since there will never be a dead tree version. I don't really even remember which provider I used to buy it! (Although the old email receipt would still be on file, and I guess there's an "About" file connected to the eBook?)

The Magic of Tribbles

I understand some company is working on a portable eBook reader that has a screen that resembles a sheet of paper, with black "print" that assembles itself on a white (or any colour) background. That sounds like fun!

Wednesday, July 04, 2007

Happy blogversary to me!

Hey, I just noticed. I've been blogging for a whole year now.

It's certainly the longest I've ever kept a diary, and it's been very satisfying to put my various Internet responses somewhere more permanent that just letting them drop off the menu at some online bulletin board.

Thanks everyone for the support, even if so few of you leave messages. I can tell by Sitemeter that there are plenty of Star Trek, pet and naked Abigail fans out there, even if you don't always tell me in person that you've dropped by again.

Tuesday, July 03, 2007

Deja View-Master

I've long wanted to do a piece on View-Master stereo and 3D picture reels and viewers, and with this week's mention of "The Omega Glory" (TOS) and "Yesteryear (TAS) Star Trek View-Master products on TrekBBS, I'm feeling a burning need to bring something together.

Today I actually saw the newest packaging, still carded on blister packs, as they have been for about 20 years, but now much closer in size to the traditional, square, paper envelopes of the 60s and 70s. I'd been hunting for "Superman Returns" ever since that movie came out last year, and eventually ordered one (on the US rectangular blister pack) via the Internet, but today I actually saw European "Superman Returns" sets on the new square blister pack. (A little underwhelming, though. Most people wouldn't even know to open the minimal packaging carefully so the reels could be stored safely.)

I've been collecting View-Master reels since Christmas 1974, when - at a loss as to what else I wanted on my Christmas want list - my mother bought me a viewer and several reel sets (of her own choosing): "Adam-12", then a current US TV police drama; animated old-time family favourite, "Top Cat"; "Insect World: Entomology"; "Pan Am's 747" and "France". I was quite impressed with her selection. "Insect World: Entomology" looks amazing in stereo pictures! "Pan Am's 747" gave me itchy feet for my first aeroplane ride. And "France" was highly suitable to a then-high school student studying French.

Sadly, what has reduced over each change to the View-Master format is text. Originally, most View-Master envelopes came with 16-page illustrated booklets, which described each of the 21 sets of stereo pictures. In the 80s, the tall, rectangular blister packs came with several paragraphs on the reverse of the packet, synopsising the production contained on the 3D reels (although European-released versions often had to reduce font sizes to squeeze in multiple translations).

In recent years, the three reels in each rectangular pack have had foil character stickers added to their reverse, and these now face outwards - but there are no instructions on how to preserve the blister pack as a "convenient storage container". The new square blister packs really have no text synopses at all, and appear to be quite disposable. Sigh. (I guess you're supposed to buy up several vinyl View-Master collectible, zippered storage containers!)


View-Masters

Star Trek has been quite well-represented in View-Master reels over the years, much to my delight:

* "The Omega Glory", a live-action episode of TOS (The Original Series). Famously, this one features a specially posed an AMT model kit starship alongside the larger model used in the upening credits, to enhance the 3D effects.

* "Yesteryear", as "Mr. Spock's Time Trek", from TAS (The animated series from Filmation). This set also came out as a Talking View-Master version in a large, flat box.

* One image of 21: TOS USS Enterprise filming model at the Smithsonian Institution's "National Air and Space Museum", Washington DC.

* "Star Trek: The Motion Picture", one of the first sets with recreated "3D" images, rather than stereo pictures shot on-set. The b/w booklet has trivia and "foto-fun" rather than a text description of each image.

* "Star Trek II: The Wrath of Khan", one of the first rectangular blister packs - no more booklets! Sigh.

* Recently found! One image of 21: life-size TOS wax figures on the bridge of USS Enterprise at "Movieland, Buena Park, California". This set of reels was on the new, rectangular blister pack, too. Two earlier releases, which I already owned, were in the traditional square packets and don't feature Trek.

* "A Matter of Honor", an episode of TNG (ie. "Star Trek: The Next Generation").

* Two images of 21: "A Star Trek Adventure" (including the bridge and "beaming up") on the revamped rectangular blister pack version of "Universal Studios, Hollywood, Set 2: Entertainment Center".

I hadn't really thought about the View-Master "Yesteryear" images not being actual stills and cels from the show itself, until the matter was raised on TrekBBS. Of course, all those old View-Master "Peanuts" (Charlie Brown and Snoopy) animated specials, and "Bugs Bunny" cartoons were reels of images recreated with little three-dimensional statues and amazing table-top dioramas, and filmed with a stereo camera! Checking out "Mr. Spock's Time Trek" anew, some frames have over seven layers of 3D action! Like the now-rare Tuttle & Bailey TAS collector cels (including the six-fingered Spock from "Yesteryear", and Arex and M'Ress with "The Jihad" aliens), and the ones provided to Japanese "Starlog" (eg. Arex and M'Ress interacting with the kzin Chuft-Captain), it seems that Filmation was happy to create special, all-new images (below right) for these TAS tie-ins. The booklet in the View-Master pack seems to have newly-created artwork, too, and different to what's on the reels.

Additional work used to be done for live-action View-Masters of the 60s, too. When the View-Master cameras visited the live-action sets of "Batman", "Mission: Impossible" and "Star Trek", for example, they took stereo photos alongside the guys filming the episodes! And the USS Enterprise and USS Exeter in orbit was a shot re-created with the three-foot shooting model of the Enterprise and a licensed AMT plastic model kit (for Exeter). The set-up (below left) was photographed in stereo in View-Master's own studio. It's not a still from the episode made 3D, it's a recreated shot made with physical models. (By the 80s, View-Master wasn't using on-set stereo cameras at all, but simulating the 3D effects by manipulating 2D images of studio publicity photos. Sigh.)

I did once read an interview (in "Starlog"?) with someone who described the day View-Master came visiting Desilu to shoot "The Omega Glory". They had to snatch their moments - at rehearsals and after the film cameras moved off to other locations, but they weren't any more obtrusive that the Desilu stills photographer who turned up all the time. There's one amusing bridge shot of Sulu and Uhura, supposedly talking with Kirk on the planet, but Nichelle Nichols' script is sitting on her lap!

I was always flummoxed as to why they didn't choose a more colourful episode, like the alien-filled "Journey to Babel", but essentially View-Master had to take pot luck with all the TV production sets they went to in the 60s and 70s. They were actually due to visit "Star Trek" the previous week, but Gene Roddenberry kept putting them off, which seemed weird in retrospect since Gene Roddenberry was rarely down on the studio floor and was busy prepping Art Wallace's "Assignment: Earth", the Gary Seven/Roberta Lincoln "back door" pilot, which was due to film the next week. But, of course, moving View-Master's appointment by a whole week meant that it was a pure (even if not good) Gene Roddenberry script that was adapted, and not DC Fontana and Laurence N Wolfe's "The Ultimate Computer". So Gene picked up yet another royalty: adaptation rights for the little View-Master booklet based on his script! (Mind you, DC Fontana had her revenge, as it was her TAS episode that was adapted by View-Master a few years later.)

Fascinating stuff, and how great that View-Master continues into the 21st century?


View-Master - TOSwhiteView-Master - TAS
Images from "The Omega Glory" (TOS) and "Mr. Spock's Time Trek" (TAS)

SF author, Robert J Sawyer, briefly discusses "The Omega Glory" View-Master SPFX shot on his blog.
TAS View-Master frame originally scanned by Kail Tescar. )

The TOS: "The Omega Glory" and TAS: "Yesteryear" sets were also available in the "Spacemen Theatre In The Round" cylindrical cardboard tub, which included "Flash Gordon" and "Buck Rogers" reels, a 2-D projector and a 3-D viewer. The "Star Trek: The Motion Picture" set was alternatively available in a "Gift Pak & Poster" tub, complete with a 3-D viewer, a double-sided movie poster and customised cardboard 3-D glasses (to view the 3-D side of the poster). 30 drawn and colored 2-D animation-style images, based on publicity stills from "Star Trek: The Motion Picture", were available on a small cartridge (Set 3158) made for the View-Master "Show Beam" push-button projector (below), which resembled a long plastic torch.

View-Master Show Beam images

There was also an Indonesian adaptation of Filmation's "Yesteryear" episode, "Mesin Waktu Mr Spock", based on the View-Master reels for "Mr Spock's Time Trek". The 1979 Cypress book is in the same format as the popular "Little Golden Books" series. IIRC, the images are all printed in reverse.

Mesin Waktu Mr Spock

Monday, July 02, 2007

Jack: 0; Mozzie Zapper: 2

History repeats! It was a bit chilly late this afternoon, and I needed to race an important letter to the overnight-delivery mailbox, so I dressed Jack up in his collar, harness and winter dog coat, said the magic "W" word, and we headed off to the post office.

Once again, as soon as we'd reached the fire station - many blocks down from the kebab shop - Jack sat down hard on the pavement and refused to budge. I almost had to drag him along, as he again avoided shop doorways, asked for "pick-ups", and even tried to leap into any parked cars opening their door. I figured if he was going to perform, I may as well buy kebabs!

Once again that wacky little dog, with the memory of an elephant, was anticipating the kebab shop had its ultra-scary, ultraviolet mosquito zapper switched on.

Deja zzzzzzpt!

Little wimp.

Sunday, July 01, 2007

Brazilian banquet, Vanguard euphoria, Cookie Puffs - and new boots to boot!

What a fun, full weekend! (Full in more ways than one.)

Even though the trains were out (for trackwork, between Blacktown and Strathfield) I made my way into the city last night to join some friends for the amazing Brazilian Churrasco Banquet at A Taste of Brazil in Pyrmont. Yummo! (And unique garlic bread rolls, made with a mayonnaise filling.) Oh wow!

I stayed overnight at Nate's for a marathon of early "Star Trek: The Next Generation" episodes, although after all the Merlot at dinner, we all dozed through most of them, usually waking in time to see end credits flashing by for each episode.

This morning we had brunch at one of Nate's favourite breakfast cafes, and then I ventured off alone into the city where I finally located, at Politix, the most amazing grey farmed-crocodile-skin zip boots to go with my newly-arrived, screen-used Andorian costume. (I knew I'd seen them somewhere, but the last few weeks of looking around was drawing a blank.) The boots were $100 off and really look wonderful. Now I can't wait to organise a proper full-dress photo shoot. (After I find someone to help me put the boots on when the skin-tight Andorian leggings won't permit bending, that is!)

On the bus-and-train home from the city, I finished reading David Mack's "Star Trek: Vanguard" novel, "Reap the Whirlwind". A lot of fun, but because I've been rather busy, I've had to read it in numerous one-hour chunks over many weeks now.

I was caught by surprise as I'd completely forgotten the author had put a Minipedia in the back - I'd restrained myself from reading it when I bought the book - so about three pages before the end of the narrative, the book flicked open to reveal that I was really only three pages from the end of the current story! (Reminds me of the good ol' days when some ST novels had a surprise excerpt of an upcoming "giant" Star Trek mass market paperback in the back.)

I'd also accidentally seen comments on TrekBBS about big surprises at the end, so I'd avoided all the details and responses. While reading this morning, all the details started being revealed, and I was very pleased.

The series has great characters who are revealing their complexities over each instalment; [i]two[/i] Caitians, at least three Andorians in this one - how cool is that? And journalist Tim Pennington continues to be a great character, redeeming himself over previous indiscretions.

Fan writer/editor (and New Zealander) Lana Pennington-Brown is a very good friend of mine (and is the Pennington the "Star Trek: Deep Space Nine" writers had in mind when they made canonical reference to the Pennington School in the TV series), so even though Tim started out in "Vanguard: Harbinger" as an untrustworthy love rat, he's already becoming a better man than he used to be (as he mentioned himself in the chapters of "Reap the Whirlwind" I read today), and so I enjoy rooting for one of Lana's descendants. Makes the "Vanguard" novels even more fun!

I'm off now to read up on all the online posts about the book before I delve into a new "Tale of the Lost Era", "Star Trek: The Next Generation: The Buried Age" by Christopher L Bennett.

And, to celebrate my "Vanguard" euphoria...: I discovered today that Puffy Cookie Puffs have released a new flavour: chocolate Cookie Puffs! They are to die for! (Or is that "to diet for"?)

Cookie Puff
Puffy Cookie Puffs: now available with chocolate filling!


And, according to the official website, caramel cookie puff filling is due soon.

Saturday, June 30, 2007

"It's... a piece of the Enterprise!!!"

Or so said game show host, Therin of Andor, during the first Harpic Productions extravaganza, Sale of the 23rd Century at a 1985 Brisbane science fiction media convention called Con Amore.

I had a good belly laugh this morning, checking out the latest batch of amazing screen-used "Star Trek" props and costumes on eBay by It's a Wrap!...

It's... a piece of a Klingon vessel!!!

Piece of a Klingon vessel


While Tharrah and Therin wrote questions for Sale of the 23rd Century, Tackee, our irrepressible, green Orion slave girl cum game show merchandise model was making a big, light, easily-foldable (into carry-on aeroplane luggage) prop of a piece of the Enterprise (from "Star Trek III: The Search for Spock") so we'd have something hilarious and impressively big to put in the "gift shop" of our "Sale of the Century"-inspired game show. Yes, it was "... a piece of the Enterprise!!!"

Piece of the EnterprisewhiteHole in a Klingon vessel

I think ours (above left; photo by John Tipper) compares pretty well to the Klingon piece that "The Next Generation" SPFX guys did for the episode "A Matter of Honor"! I wonder where our piece ended up? Perhaps we let our winner, Garfield Barnard, keep it? Maybe it'll turn up on eBay some day?

Friday, June 29, 2007

School is: OUT

Here I sit, with the school vacation finally here - two weeks, yay! - and I can't think of anything to post.

I even went through a whole stack of old photograph albums, hoping for inspiration, but every photo I thought of wasn't in the stack that happens to be on hand, or it features someone not easy to track down to ask about putting their photo on the Internet. It's been a long time since I saw some of these wonderful people, and I'd prefer that our first emails in yonks isn't an angry "Take down that pic!" demand. Just because one owns a photograph doesn't mean one took it oneself, owns the copyright or has permission from everyone in it to share it with the world in an electronic medium that wasn't even imagined when the photograph was taken.

Plus, I'm reminded about the terrible condition of my 70s and 80s era photograph albums are. No photo corners of the 60s, all of my albums were sticky-page and transparent plastic albums, and the years have either fused the photos permanently to the album pages, or the stickiness has all dried up the photos slide out onto the floor as the pages are turned. Some of the old Polaroids have turned dark, some of the regular pics have drastically altered colour - and the 3D photos from my old Nimslo 3D camera can't be scanned. (To show those, I'd have to find the negatives and order regular prints from them first, or scan the negatives on my scanner.) And I also get into a panic wondering where a few missing photo albums ended up during the big move of January 2000.

The thought of transferring all my photos to new albums is daunting beyond believe. There are also recent piles and piles of photos, all over the house, that have never been lovingly stuck in albums, or even dated and captioned.

In addition, another visit to my Sitemeter today shows me that each mention of my Andorian costume eBay purchase in the month of June brought in a record number of page views to the blog (for about a week or so), but these new visitors don't necessarily convert into regular viewers. Do I just talk about Star Trek stuff in an attempt to keep them? Furthermore, the 70s photo of Aussie actress Abigail (from her 70s autobiography) continues to be the main way people find this blog.

Luna Park
Sydney's Luna Park - a random, favourite photo

Thursday, June 28, 2007

The Wrath of Jim the Toad (and Spock the Gerbil)?

In the 80s, two fellow Star Trek fans were playing with a computer's drawing program, trying to keep their minds off the drudgery of preparing yet another issue of the Star Trek fan club's newsletter. In the wee hours of a weekend, they came up with the hilarious and silly "Adventures of Jim the (ugly) Toad and Spock the Gerbil".

Imagine my fascination tonight, browsing the piles of old sale books at Galaxy Bookshop, and discovering, for just $5: Commander Toad and the Voyage Home (Putnam & Grosset, 1998) by Jane Yolen, and illustrated by Bruce Degen. Mainly, it's a parody of "Star Wars", although the logical sidekick, Mr Hop, seems to have derived from a certain pointy-eared celebrity.

Toad

Lost Wednesday

I opened the posting window at about 10pm last night, and pottered around trying to get inspiration for a witty post but - suddenly, at about 11.30pm, my Internet connection went down.

Still uninspired, but getting more desperate, I made several attempts to reboot, but once that connection is down, it's down. The midnight deadline came and went, so did "Big Brother Uplate" and thus, I went to bed.

Sigh...

Tuesday, June 26, 2007

Andorian generals and ambassadors...

* need the help of at least two attendants to get dressed

* cannot bend their arms, let alone shoot a phaser rifle

* are either very tall, or wear platform boots, or have very clean floors as their cape sweeps over surfaces

* cannot put on their own boots, since they also cannot bend over.

(This is all to be kept in mind when I go hunting for boots to complete my eBay win.)

Ambassador Thoris
Ambassador Thoris from "Terra Prime"

Monday, June 25, 2007

It's a Wrap!

My eBay win arrived this morning! And it fits! It fits!

Thoris robewhiteGeneral
Left: Andorian Ambassador Thoris's robes ("Enterprise: Terra Prime");
Right: Andorian General's outfit ("Enterprise: Proving Ground").


The cape has a long piece of Velcro where Ambassador Thoris had his universal translator attached, but I decided to put my facsimile UFP pin from ST IV into this position, and it looks great!.

And yes, as I suspected, the Paramount "Enterprise" label inside the dark blue, sleeveless, full-length costume has three actor names on it: Ted Sutton (originally cast as the Andorian general in "Proving Ground"), Granville Van Dusen (who played the role in the reshot, aired footage) and Joel Swetow (a "Star Trek" alien veteran) who featured in "Terra Prime". The top with the blue-furred sleeves lists Granville Van Dusen and Jowel (sic) Swetow, and the silver cape just Joel Swetow!

Sunday, June 24, 2007

The Fantastic Four and the slippery slope


Fantastic FourSilver Surfer
Fantastic Four: Rise of the Silver Surfer

A super power would have been very useful for my trip to Westfield Penrith Plaza, today, to see "Fantastic Four: Rise of the Silver Surfer". I originally planned to see a different film, but my friend was unavailable, so I saved up "Shrek the Third" and "Pirates 3" for next week and decided to enjoy a solo FF fix.

I took my usual shortcut, realizing only at the last minute that (a) it was probably going to be muddy or flooded at the end of the shortcut, and (b) I was wearing the wrong (white fabric) shoes. As I stood at the muddy, sloping edge of my shortcut, pondering whether to leap, or take a detour through perhaps worse conditions, I felt myself sliding helplessly towards oblivion. Splat!

With both hands, one arm, and one buttock cheek now thickly covered in fresh mud, I continued on to the Plaza. After a quick clean-up in the rest room (which thankfully had both paper towels and full-length mirrors), I secured my cinema ticket and filled in some time - shopping, of course - before the film started.

I really enjoyed the movie. It has received some very mixed reviews but, in my view, if you liked the first film, then this is more of the same. Some great lines, very likable characters, and amazing special effects, especially the Silver Surfer himself, and the Fantasticar. And some clever script seeding - in that the FF's power-swapping phenomenon was put to very good use (giving Michael Chiklis a little screen time as human-looking Ben Grimm), and Doctor Doom was able to be resurrected so easily, as both Doom and Julian McMahon (son of a former Australian Prime Minister, no less).

And it's heaps better than the quickie "Fantastic Four" movie that was made, but never released, in 1994. I once saw a bootleg copy from eBay, something I don't usually condone, but there was no other way to see it and I'd been quite intrigued by the casting - and the costumes, which were the same blue/white ones I'd used when we did "Perfect Botch" (a live convention game show) as the Fantastic Four in the 80s. Mind you, to give the 1994 film its due, in a list of the "50 Top Comic Movies of All Time (...and Some So Bad You've Just Got to See Them)", Wizard magazine ranked this film higher than "Batman & Robin", "Steel", "Virus" and "Red Sonja", all of which did get a theatrical release.

Fantastic Four (2004)
Michael Bailey Smith as The Thing, Rebecca Staab as Invisible Woman, Alex Hyde-White as Mr Fantastic
and the former "Boy Who Could Fly", Jay Underwood, as the Human Torch.


This pic has autographs from Smith, Staab and Joseph Culp, who played Dr Doom. The signatures were collected as a surprise for me from Glenn Ford of The Phantom Zone comic shop, who attended the big US comic convention that promoted the movie, with the actors unaware that there was no intention by the producers, including Roger Corman and Bernd Eichinger, to actually release it.

Here's the trailer Glenn Ford would have seen at the convention:


(The trailer's soundtrack lifts music from "Battle Beyond the Stars".)

Xmas 1986
So will the real Mr Fantastic please stand up?

Fantastic Four, 1986

Saturday, June 23, 2007

Curry in a hurry?

Briefly - tonight I'm off to explore the menu of a local Indian establishment: Tamleni Indian Restaurant. I'm not very brave with Indian food and I'm hoping there's plenty of milder offerings.

Wish me luck! Or perhaps a tall glass of icy cold milk.

Captain's log: Supplemental. The restaurant was most enjoyable. We didn't get too brave with the hot stuff, but the Pieroth BYO wines I took turned out to complement the food perfectly! A great night.

Friday, June 22, 2007

Big Squeaky

A funny night tonight, while watching "Big Brother: Friday Night Games" on TV.

It was a "Nightmare" theme night, with all the housemates dressed in pyjamas, and the first game had the participants in pairs: both blindfolded, and one running through obstacles with a pillow that issued loud snoring sounds, and the other wearing a boogie man mask and squeaky shoes.

Jack, my Jack Russell terrier, was sitting quite contentedly beside me... until the voiceover on the television mentioned "squeaky shoes". Now, I often tease Jack ("Where's Squeaky, Jack?") when playing a game with his own beloved squeak toys - most only last a few days/weeks because Jack makes a point of attempting to remove the squeaker, which then gives him enough of a tooth-hold to start devouring the rest of the toy in small chunks - and here was Jack actually reacting to the word "squeaky" on the TV.

Anyway, once the "boogie men" started running in their Very Squeaky Shoes, Jack went ballistic - barking loudly and relentlessly at the TV, at me, at the heater, at cushions on the lounge, at Chookie the cockatiel... at anything that might just be hiding a squeak toy - and then looking at me imploringly as to how I'd suddenly located - and then hidden! - a squeaky toy without even moving from my spot on the lounge.

Thanks for the headache, Big Brother!

Thursday, June 21, 2007

Movie overload

"Fantastic Four: Rise of the Silver Surfer" opened in Sydney today and, although it got panned on ABC's "The Movie Show" last night, the trailers look amazing and I'm still keen to see it.

I guess I'll catch it on the weekend, but I still have "Shrek the Third", "Bridge to Terabithia" and "Pirates of the Caribbean 3", among others, on my list. Sunday might become a lost day, spent traveling from darkened room to darkened room.

Wednesday, June 20, 2007

There's no business like snow business

The Year 5 and 6 teachers at school/work took their classes on an excursion to the Three Sisters, Katoomba, today. The radio news this morning warned of icy conditions, a blocked highway at Wentworth Falls, closed schools, and snowfalls.

Although it looked extremely doubtful that they'd be going, especially after two recent postponements due to torrential rain and sodden conditions, they were actually able to depart on time, and were rewarded with clear views from Echo Point. A screening of a Blue Mountains movie at The Edge IMAX theatre replaced the planned bushwalk, but the students were able to scrape together enough snow to have a snowball fight.

The ESL (English as a Second Language) students took the snow in their stride - plenty of snow back in their native lands - but the views of the Three Sisters and Megalong Valley took their breath away, I hear.

It seems it as worth the risk to postpone the previous dates. According to the TV news tonight, this was the first decent snowfall in the Blue Mountains in eight years.

I guess the appropriate response is: Cool!

Too bad I had to stay behind with the younger classes. It's been 15 years since my last snowman (built of actual snow).

Tuesday, June 19, 2007

Holy word power, Batman!: recent superhero novels

I've made a point, over the years, of collecting novels and novelizations based on superheroes, particularly DC Comics' "Batman" and "Superman", and extending that interest to other DC heroes, plus Marvel's "The Fantastic Four".

One day, I'll put together my pre-2000 list, but first...

Pocket Books:
"Batman: No Man's Land" comic novelization by Greg Rucka (Jan 00)

Justice League of America original novel mass market paperback (MMPB) series:
"Batman: The Stone King" by Alan Grant (Mar 02)
"Wonder Woman: Mythos" by Carol Lay (Jan 03)
"Flash: Stop Motion" by Mark Schultz (Mar 04)
"Superman: The Never-Ending Battle" by Roger Stern ([Jun] 04)
"JLA: The Exterminators" by Christopher Golden (Jul 04)
"Green Lantern: Hero's Quest" by Dennis O'Neil (Mar 05).

After Pocket fulfilled their contract with DC, the licence passed back to ibooks for five hardcovers, then Chronicle and HarperCollins, Del Rey for "Batman" MMPBs, Warners for "Smallville" TV tie-ins and the "DC Universe" MMPBs, and Ace for two comic maxi-series novelizations.

From ibooks:
"The Forensic Files of Batman, the World's Greatest Detective" by Doug Moench (Jun 04)
"Crisis on Infinite Earths" comic novelization by Marv Wolfman (Apr 05)
Green Lantern trilogy (2004-2005):
"Sleepers, Book 1" by Christopher J Priest & Mike Baron
"Sleepers, Book 2" by Christopher J Priest & Michael Ahn
"Sleepers, Book 3" by Christopher J Priest [& Mike Baron].

From Chronicle:
"It's Superman!" by Tom De Haven (2005).

From HarperCollins:
"The Last Days of Krypton" by Kevin J Anderson (2007)
"Enemies & Allies" by Kevin J Anderson (2009) - Batman, Superman.

The Batman MMPB titles from Ballantine/Del Rey:
"Catwoman" movie novelization by Elizabeth Hand (Jun 04)
"Batman Begins" movie novelization by Dennis O'Neil (2005)
"Dead White" by John Shirley (2006)
"Inferno" by Alex Irvine (2006)
"Fear Itself" by Michael Reaves (2007).

From Warner/Aspect in MMPB:
Smallville original novels:
"Strange Visitors" by Roger Stern (Oct 02)
"Dragon" by Alan Grant (Nov 02)
"Hauntings" by Nancy Holder (Jan 03)
"Whodunnit" by Dean Wesley Smith (Mar 03)
"Shadows" by Diana G Gallagher (Sep 03)
"Silence" by Nancy Holder (Nov 03)
"Curse" by Alan Grant (Jan 04)
"City" by Devin Grayson (Mar 04).

"Batman: Rise of Sin Tzu" game novelization by Devin Kalile Grayson & Flint Dille (Nov 03).

Smallville Young Adult MMPBs from Little, Brown & Co:
"Arrival" episode novelization by Michael Teitelbaum (2002)
"See No Evil" by Cherie Bennett & Jeff Gottesfeld (2002)
"Flight" by Cherie Bennett & Jeff Gottesfeld (2002)
"Animal Rage" by David Cody Weiss & Bobbi JG Weiss (2003)
"Speed" by Cherie Bennett & Jeff Gottesfeld (2003)
"Buried Secrets" by Suzan Colón (2003)
"Runaway" by Suzan Colón (2003)
"Greed" by Cherie Bennett & Jeff Gottesfeld (2003)
"Temptation" by Suzan Colón (2004)
"Sparks" by Cherie Bennett & Jeff Gottesfeld (2004).

The DC Universe MMPB titles, also from Warner:
"Last Sons" by Alan Grant (Feb 06) - Superman, Martian Manhunter, Lobo
"Inheritance" by Devin Grayson (Jun 06) - Batman, Green Arrow, Aquaman, Nightwing, Arsenal, Tempest
"Helltown" by Dennis O'Neil (Nov 06) - The Question, Lady Shiva, Richard Dragon, Batman
"Trail of Time" by Jeff Mariotte (Mar 07) - Superman, Phantom Stranger, Demon, Jonah Hex.

"Superman Returns" movie novelization by Marv Wolfman (Jun 06).

From Ace, Berkley/Penguin:
"Infinite Crisis" comic novelization by Greg Cox (Oct 06) - focus on Superman, Wonder Woman, Batman
"52" comic novelization by Greg Cox (Jul 07) - focus on Booster Gold, Supernova, The Question, Batwoman
"Batman: Gotham Knight" animated movie novelization by Louise Simonson (Jun 08)
"The Dark Knight" movie novelization by Dennis O'Neil (Jul 08) - sequel to "Batman Begins"
"Countdown" comic novelization by Greg Cox (Jul 09) - focus on Jimmy Olsen, Mary Marvel, Troia/Wonder Girl, Robin II, Catwoman
"Final Crisis" comic novelization by Greg Cox (Jul 10) - focus on Superman, Batman, Wonder Woman, Darkseid, and remnants of the Justice League of America.

From Pocket Star:
"Wonder Woman" animated movie novelization by SD Perry & Britta Dennison (Jan 09).

Although I've resisted getting a lot of the Marvel superheroes when they've appeared in novels, the reputation of Pocket Books, and its stable of "Star Trek" writers contributing to them, made me weaken...

Pocket Star's Marvel MMPB original novel titles:

Fantastic Four:
"War Zone" by Greg Cox (Aug 05)
"The Baxter Effect" by Dave Stern (Jan 07)
"What Lies Between" by Peter David (Jul 07)
"Doomgate" by Jeffrey Lang (Dec 08).

Spider-man:
"Down These Mean Streets" by Keith RA DeCandido (Sep 05)
"The Darkest Hours" by Jim Butcher (Jul 06)
"Drowned in Thunder" by Christopher L Bennett (Jan 08)
"Requiem" by Jeff Marriott (Nov 08).

The Ultimates:
"Tomorrow Men" by Michael Jan Friedman (Sep 06)
"Against All Enemies" by Alex Irvine (Sep 07).

Wolverine:
"Weapon X" by Marc Cesari (Nov 05)
"Road of Bones" by David Alan Mack (Nov 06)
"Lifeblood" by Hugh Matthews (Mar 07)
"Violent Tendencies" by Marc Cesari (Nov 07)
"Nature of the Beast" by Dave Stern (May 08)
"Election Day" by Peter David (Sept 08)

X-Men:
"Dark Mirror" by Marjorie M Liu (Jan 06)
"Watchers on the Walls" by Christopher L Bennett (May 06)
"The Return" by Chris Roberson (May 07).

Pocket Star's crop of Marvel adaptations include:
"Elektra" movie novelization by Yvonne Navarro (Jan 05)
"Fantastic Four" movie novelization by Peter David (May 05)
"Ghost Rider" movie novelization by Greg Cox (Feb 07)
"Spider-man 3" movie novelization by Peter David (Apr 07)
"Fantastic Four: Rise of the Silver Surfer" movie novelization by Daniel Josephs (Jun 07).

Marvel adaptations in MMPB from Ballantine/Del Rey:
"X-men" movie novelization by Kristine Kathryn Rusch & Dean Wesley Smith (Jun 00)
"Spider-man" movie novelization by Peter David (Mar 02)
"X-men 2" movie novelization by Chris Claremont (Mar 03)
"Hulk" movie novelization by Peter David (May 03)
"Spider-man 2" movie novelization by Peter David (May 04)
"X-men 3: The Last Stand" movie novelization by Chris Claremont (2006)
"Iron Man" movie novelization by Peter David (Apr 08)
"The Incredible Hulk" movie novelization by Peter David (2008)
"Iron Man: Femmes Fatales" by Robert Greenberger (2009).

Onyx:
"Daredevil" movie novelization by Greg Cox (2003).

HarperEntertainment:
"Iron Man" movie teen novelization by Dan Jolley (2008).

Grand Central:
"Iron Man 2" movie novelization by Alexander Irvine (April 2010).

Keith RA DeCandido's Marvel list predates 2000.

Captain's log: Supplemental (Updated: 21st October, 2011)

Monday, June 18, 2007

Bluey is in da house!

As I impatiently await my recent eBay costume win, at least I can console myself with the arrival today of... Bluey the mannequin.

Bluey

Bluey is quite lightweight for such a strapping young man. Instead of a regular metal stand, he gets suspended by a sturdy wire coming out of the top of his head. Bluey's arms and hands detach, but the rest is all one piece. The blue hands are exquisite: very expressive, and they are definitely life casts of a real man's hands.

I have this terrible sneaking suspicion that it's all just a bit too much like owning a giant Andorian Ken doll from Mattel - and waiting anxiously for my Mum to buy me the clothes to dress him in. Now I just need to find somewhere to hang him up that won't freak me out every time I enter a room and see him there in all his bluish naked glory.

I hope his Andorian robes arrive soon...

Sunday, June 17, 2007

Origins of Filmation's TAS: 1969!

Titan's latest "Star Trek" magazine (Aussie version #90 JUL/AUG 2007; UK #132) features a bonus section, including "The Secret Origins of 'Star Trek: The Animated Series'" by Andy Mangels.

Andy's article includes reprints of official comments, from Paramount to Filmation (dated October 15, 1969), about Don Christensen's 1969 "concept paper" proposing for TAS: a training ship called Excalibur; Scotty's moustache; new characters called Tun-Tun, Stormy, Ploof, Steve and Bob; and a suggestion to eliminate Chekov and his paired cadet, Chris, in favour of finding a cadet pairing for Uhura.

Excalibur (originally proposed as 6D12 Lightly) would have been able to break up into smaller pods. It sounds like Tun-Tun was already slated to be replaced by the moustachioed Scotty - and his cadet counterpart, Stormy, was to be dropped. Steve was Spock's cadet companion, and Bob was McCoy's. There was concern that Kirk's companion looked too much like "any boy in the world", and Sulu's and Uhura's companions were not decided yet (although a preliminary sketch of the female cadet paired with Uhura is in "The Art of Star Trek" by Garfield & Judith Reeves-Stevens, so she did see further development).

TAScadets
From "The Art of Star Trek" - Note the pre-TMP moustache on Scotty!


Three early story outlines were "The Space Cocoon", "The Impossible Rainbow" and "Klingon Attack". Some "crab/spider" business in "The Space Cocoon" was deemed unacceptable for a kids' show, but there was an effort to boost up the educational angle of each TAS instalment from even this earliest incarnation. There were aliens called trogs.

Perhaps "The Space Cocoon" inspired the story about the pod ship of "Beyond the Farthest Star" (That ship was built by an insectoid race, and there was already talk of the TAS cadet ship being able to break into smaller pod vessels?) "The Impossible Rainbow" was about "a quiet boy" and fantasy becoming reality - perhaps inspired by "Charlie X"? There was concern there was "no real point" to "The Klingon Attack" and it needed work to draw out the interrelationships and to add an educational message.

Very cool trivia from the archives! Thanks Andy Mangels, Filmation animator/historian Darrell McNeil, and Titan!


Saturday, June 16, 2007

Flashback to 1987: Cooking with Strop

A satirical presentation about "V: The Series" at Eccentricon, a science fiction media convention (1987) at Richmond, NSW, Australia, took its lead from the classic "Twilight Zone" episode, "To Serve Man". Yours truly, Ian McLean, plays Strop, a Visitor from the Sydney mothership (ie. from television's then-current "V: The Series"). The hapless audience member was supposedly selected "at random". Hehehehe.

Cooking with StropwhiteCooking with Strop: choice!
Strop says, "Here's one I prepared earlier..."


Cooking with Strop: front and centrewhiteCooking with Strop: hot dog!
"Room for one more..."


Cooking with Strop: the end!
THE END!

Friday, June 15, 2007

Comparisons #4 & 5: ST Magazine UK/Aust vs ST Magazine US

Continuing my series of comparisons between the UK/Australasian and US editions of "Star Trek" magazine.

STMag4


The good news for American fans is that #4 (MAR/APR 2007) of the US issue has much the same content as the #89 AUS (MAY/JUN 2007)/#131 UK issue. The main variations are to do with the placement of advertisements and mail order pages; the UK/Aust. version is also (as usual) two centimetres taller and one centimetre wider. Both magazines are 98 pages, plus covers - but for the first time the US edition has an extra (brief) article ("The Alpha Guide: The Klingons" by Jake Black, a primer on surviving as a UFP tourist in Klingon space) on the pages where the UK/Aust. edition features a two-page mail order catalogue for the UK science fiction store, Forbidden Planet. Previously, it was the UK edition that carried an "Alpha Guide" - to the Borg - in a bonus "Voyager" supplement.

But... (you knew there was a "but" coming) Where the "Next issue" promotion of the US edition promises "our history of Star Trek reaches the 1980s...", the UK/Aust. edition will present "previously unseen material from 'Star Trek: The Animated Series'." 32 pages of extra material again!

And that latest issue turned up yesterday, Down Under!


STMag5

#5 of the US version of Titan's Star Trek (MAY/JUN 2007) is back to the regular 66 page size, but the UK/Aussie version (#90 JUL/AUG 2007; #132 UK) continues to be 98 pages.

While both versions carry the same cover banner, "Writing for 'Star Trek: The Animated Series'", above the title, the main UK/Aussie difference is the generous bonus lift-out Celebrating 'Star Trek: The Animated Series', a supplement in the middle pages. For the US version, the banner would refer only to the David Gerrold article, which both versions have in common. (David Gerrold talks about many aspects of Trek, including his contributions to the recent DVD set).

The UK/Aust. bonus material, however, features even more material about TAS:

* "The Secret Origins of 'Star Trek: The Animated Series'" by Andy Mangels, which includes reprints of official comments about a 1969 "concept paper" proposing a training ship called Excalibur; Scotty's moustache; new characters called Tun-Tun, Stormy, Ploof, Steve and Bob; and a suggestion to eliminate Chekov and his paired cadet, Chris, in favour of finding a cadet pairing for Uhura. Three early story outlines were "The Space Cocoon", "The Impossible Rainbow" and "Klingon Attack".

* Storyboard comparisons of the first two minutes of "The Terratin Incident".

* "Five best!", an illustrated episode countdown by Jake Black: "The Pirates of Orion", "More Tribbles, More Troubles", "The Jihad", "The Counter-clock Incident" and, at number one, "Yesteryear".

* "Charting 'The Counter-clock Incident'": an interview with writer Fred Bronson (aka John Culver) by Anthony Pascale.

* "Animated Pioneers" by Chris Dows: Trek tech that was first suggested by TAS. The aquashuttle, large shuttlecraft, robot ship, land vehicle, hover robots, and seatbelts.

* "Still Drawn to It", celebrating 35 years of TAS - by Kevin Dilmore and Dayton Ward.

* Mail order catalogue for the UK science fiction store, Forbidden Planet, seemingly incorporating the functions of the UK Star Trek: The Official Fan Club's "Tower of Commerce" pages.

* "ST: TAS Trivia" by Chris Dows, one text selection and still for each episode.

* "Under the Great Bird's Wing", an interview with Gene Roddenberry's former assistant, Susan Sackett, by Michael A Martin.

* Contest advertisement for Fedcon XVI convention.

The next US issue is again 66 pages, but the forthcoming #91 AUS/#133 UK issue promises a 32 page "exclusive guide to the Star Trek novel series"!

This stuff is so cool, I'm sure Titan USA will eventually find a way of getting this material to US fans.

Thursday, June 14, 2007

Colour me impressed (blue)

As you may know, I'm currently awaiting the arrival of my recent eBay win: a screen-used Andorian costume of jumpsuit, robe and belt from two "Star Trek: Enterprise" episodes.

Although I didn't want to Jonah myself and buy a suitable male display mannequin too early, a casual Google search surprised me. I typed in "second hand" male mannequin Sydney and up popped a mannequin called, so appropriately: "Bluey"! Perfect! And no need to panic about finding a mannequin that can be painted, or working out which paints were stable enough not to react to fabric.

I immediately got on the phone and secured him.

Bluey


For my international readers, "Bluey" is a typical Aussie nickname for a red-haired man. (Please don't ask why.)