Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Saturday, October 03, 2009

Forgotten Visitors

I'd quite forgotten to check this out!

After numerous false starts, including the canning of creator Kenneth Johnson's sequel/reunion script (which he then turned into a novel in 2007), ABC in the USA will soon be airing a new version of the science fiction series, "V", later this year!



These Youtubeclips feature Elizabeth Mitchell ("Lost") as Erica Evans, a sultry Morena Baccarin ("Firefly", "Stargate SG-1") as the alien Visitors' leader, Anna, with a human reporter played by Scott Wolf ("Party of Five", "Everwood").

Looks great, although it will have to work hard to maintain all the shock value scenes of the original 1983 telemovie, which kinda snuck up on everything, even the now defunct SF media magazine "Starlog"! I means, we already know about the eating of guinea pigs, the harvesting of humans, the stealing of our water, etc...

The US premiere date is set for November 3rd, 2009.


Friday, September 25, 2009

"Couchman" interviews science fiction fans!

#136
Scroll down to click on four segments.

In 1990, ABC-TV, Australia's non-commercial network, aired an episode of Peter Couchman's popular interview show focusing on science fiction fans. It tied in very nicely with a hilarious stage revival/parody of the Supermarionation TV show of the 60s, "Thunderbirds", by actors Gavin Robertson and Andrew Dawson.

You'll see a plethora of Sydney science fiction media fandom identities of the 70s, 80s and 90s! Thanks to whoever uploaded the footage. (Gosh, I'd forgotten those amazing yellow shoes of mine... Well, they matched the Batman logos on my T-shirt.)

Peter Couchman kept returning to the escapism angle of science fiction but, if I recall, many of the fan participants were rather suspicious of Couchman's planted "experts", Dr Stephen Juan, anthropologist, and Professor Brent Waters, psychologist. However, these experts were surprisingly supportive of science fiction fandom, ie. we were adults who haven't forgotten how to "play", and who have found a sense of community and acceptance of each other.

We weren't supposed to draw attention to our dual membership of fan clubs, so I was representing Battalion, the Australian Legion of Batman Fans, while Karen Lewis was representing Sydney Star Trek fandom. Spotto also: Kerrie Dougherty, Dallas Jones, Nick Stathopolous, Lewis Morley, John Gaspar, "Garfield" Barnard, Brett Harrison, Mike McGann, Bodine Amerikah, Edwina Harvey, Robert Luxford, Adrian Broughton and Professor John Tulloch, among many others!


Part 1


Part 2


Part 3


Part 4

My beard was only rather new at the time, otherwise I'd have been dressed (at the station's request) as an Andorian or in my Robin the Boy Wonder outfit. Some of the fans in the episode are now working as professionals in their various fields (including writers, artists, actors, SPFX guys, museum curators, etc). An exciting find, because I haven't really watched it since it aired, and I haven't seen my VHS copy in about fifteen years.

"Reality is for people who can't deal with science-fiction."

Battalion

Wednesday, August 19, 2009

Mmmmmmmmm!

#101
Closeup on the "M" of "CINEMAXX" sign at the
Penrith Plaza Hoyts' cinema complex.


Just back from seeing "District 9", a new science fiction movie! Apartheid meets "Alien Nation" meets "Cloverfield", minus the shaky-cam. Riveting performances and SPFX! Highly recommended!

Friday, April 25, 2008

A sequel and a prequel


V2whitewhiteCollision Course

This school vacation, I've managed to squeeze in the reading of two hardcover novels, of in the science fiction media genre - d'uh - and both of them rather controversial in their approach, yet very enjoyable... despite some frustrating faults.

First up was Kenneth Johnson's long-awaited novel of his long-promised sequel to "V". Now, although I already knew that this novel, set twenty years after the first mini-series ended, would be ignoring both "V: The Final Battle" and "V: The Series", there was nothing in the book to introduce such a premise. A little unfair to fans, I think, especially as picking up an old copy of AC Crispin's "V" novelization would present a thick book where the entire second half was overlooked. At the very least, a text summary of the first valid-for-the-novel "V" instalments would have been appreciated.

Although the Visitors, as of "V: The Second Generation", have been cruel overseers on Earth for two decades now, not a lot else has changed. The Visitors' technology does not seem to have advanced much in twenty years; they are still processing humans into hibernation pods, siphoning our water supply, and the alien motherships have black and white security monitors. Why do the reptilian invaders continue to wear false human skins, and why do new arrivals from Sirius also adopt human names? Why does "nice alien" Willy still make dreadful malapropisms after so many years living in the USA - and why has Martin gone two whole decades in the Vistors' Fifth Column of turncoats without being discovered?

The action of "The Second Generation" also seems to be centred on now-inland San Francisco; Los Angeles is rarely even mentioned, although it was the focus of so much of the story in the various TV episodes. The book doesn't really get into any character's head for very long; a lot of the action is described in much the way as it would have appeared in the teleplay Johnson was expanding into regular prose.

Freedom fighter human leaders Juliet Parish and Mike Donovan are featured players, as expected, as is the sultry, manipulative Visitor, Diana. Diana is joined by a new rival, Jeremy, and the supposedly mysterious Sirian Leader - whose gender is kept unmentioned, on purpose, for much of the story arc.

Unfortunately, humans and Visitors who appear in "V: The Second Generation" are sometimes humans and Visitors who died heroically in either "V: The Final Battle" or "V: The Series". Robert Maxwell, Willy's girlfriend Harmy (she did die in the second mini-series, didn't she?), and Fifth Columnist Martin, are all alive and kicking in "V: The Second Generation". Other characters, such as Robin Maxwell, Leader John, Brian, Steven, Daniel and Elias, who could have all been featured, or at least mentioned by the novel, are essentially ignored, or glossed over.

There is also an annoying overuse of names. There is a Charles and a Nathan, but these are definitely not the Charles and Nathan of "V: The Series". There is a new Visitor, Shawn, but there is mention of missing human, Sean Donovan, Mike's son. Instead of the hybrid Starchild, Elizabeth (of whom Johnson did not approve), there's a new halfbreed character, Ruby - and she's been named after an elderly character, from "V", who is said to have died. In addition, there are many other halfbreed teenagers, and these are treated in very similar ways to the Newcomers of Johnson's similar allegorical TV series, "Alien Nation".

Despite my many misgivings, the action certainly comes thick and fast. Three insectoid aliens in hominid guise, representatives of the powerful, vengeful race, known as the Zedti, attempt to use the hapless, weary humans' ongoing dilemma to resolve their own feuds with the reptilian invaders.

With the addition of the Zedti, there is certainly lots of promise for a new ongoing series of episodes, telemovies or a sequel mini-series. However, I'm sure ignoring huge slabs of "V: The Final Battle" and "V: The Series" would be ultimately confusing for many viewers, unless there is to be a remake of the first "V" mini-series to accompany any new stories.

I've also just finished "Star Trek: Academy: Collision Course", by William Shatner, with Judith and Garfield Reeves-Stevens. This hardcover received extremely mixed reviews when it came out last October, so I put it beneath several other novels.

While it is well known that Shatner's previous nine-part hardcover saga (of Kirk's return from death beyond "Star Trek: Generations"), the so-called "Shatnerverse", has always operated within its own, ummm, pocket universe, this new prequel-to-TOS novel doesn't necessarily quash anything canonical (ie. onscreen, live action material), although it certainly stretches a few "fanonical" friendships.

I usually enjoy Star Trek hardcovers very much, but I began this one with great trepidation. Not many people online seemed to like it. Essentially this novel ignores most previous ST novels, especially the ones about Kirk's father, and Kirk Sr's career on the Enterprise under Captain Robert April. But the premise is intriguing, if not requiring suspension of disbelief. We see both teenaged Jim Kirk and teenaged Spock consorting with criminals, being shunted of to Starfleet training without a fair court martial, not to mention seemingly numerous links to young Kirk's very traumatic experiences under Kodos the Executioner, long before the secret events of "The Conscience of the King" (TOS) are revealed.

As Vulcan Ambassador Sarek, and Eugene Mallory - son of a redshirt we already know will one day die under then-Captain Kirk's command - discover, a little logic can go a long way when solving a crime. Annoying though,

And deja vu!: despite my many misgivings about this hardcover as well, the action in "Collision Course" certainly comes thick and fast. A real collision course, actually. People may have slammed it for ignoring "Final Frontier" and "Best Destiny", two very strong George Kirk Sr stories by Diane Carey, but there's also lots to enjoy.

There'll be frustrations no matter what. Jim's Dad is called George Joseph "Joe" Kirk is this one! And, for those who disliked "Star Trek: Enterprise", the TV series prequel to TOS, you may well be tetchy about Academy buildings named for Archer, Tucker and Mayweather - and even a non-"name drop" for Hoshi Sato and her husband, via their little great grandson! (It pays to read the fine print!) For those of us who are fans of Enterprise, it's a nice bonus. I should note that Shatner's regular ST novel co-authors were staff writers on "Enterprise" during its fourth (and many say, best) season.

This is a novel with a new, but still valid, take on the Sarek/Spock relationship. And it's about an extremely troubled, very different Jimmy Kirk, one far removed from the Kirk we met in previous prequels to TOS, (and sure to be overruled by the upcoming ST XI) but after the Tarsus IV experiences related in "Collision Course", who can blame him?

If you can make it through the first four or five chapters, it's easy to keep reading! I went into the book expecting it to be horrid, based on all the negativity it seemed to garner, but I was surprised how involving it became.

Thursday, July 26, 2007

Are you Sirius?: the novels of "V"

Visitors

To celebrate the forthcoming hardcover novel sequel to "V", here's a complete booklist of what has come before:

V by AC Crispin (Pinnacle, May 1984).
The novelization of "V" and "V: The Final Battle".

East Coast Crisis by Howard Weinstein & AC Crispin (Pinnacle, Sep 1984).
A parallel novel to "V" and "V: The Final Battle", set mainly in New York.

The Pursuit of Diana by Allen Wold (Pinnacle, Dec 1984).
An original novel prelude to "V: The Series", a year before the episode "Liberation Day".

The Chicago Conversion by Geo. W Proctor (Pinnacle, Jan 1985).
After the events of "V", the Chicago resistance struggles to rebuild.

The Florida Project by Tim Sullivan (Pinnacle, Feb 1985).
Experiments with human/reptilian hybrids in the Everglades.

Prisoners and Pawns by Howard Weinstein (Pinnacle, Mar 1985).
Diana and Lydia ("V: The Series") clash in Los Angeles.

The Alien Swordmaster by Somtow Sucharitkul (Pinnacle, Apr 1985).
Set in Tokyo, Japan.

The Crivit Experiment by Allen Wold (Pinnacle, May 1985).
Alien sand creatures called crivits (from "V: The Series" episode, "Breakout") threaten North Carolina.

The New England Resistance by Tim Sullivan (Pinnacle, Jun 1985).
The friendly Visitor, Willie, aids humans in New England.

Death Tide by AC Crispin & Deborah A Marshall (Pinnacle, Jul 1985).
On the West Coast of USA, Diana tries to resolve her homeworld's water crisis.

The Texas Run by Geo. W Proctor (Pinnacle, Sep 1985).
The Dallas-Fort Worth resistance struggles to free Texans from the Visitors' cold storage.

V Annual 1986 (World International Publishing, 1985; copyright date 1984).
Includes the short stories, "The Day the Rains Didn't Come", "The Hero", "A Time to Fight", "The Three Brave Men", "Divided We Fall", "The Law in Prospect" and "Switch on to Fear", and the comic, "Nightmare".

V Storybook (World International Publishing, no date; copyright date 1984).
Includes the short stories, "Deadly Harvest", "Together We Stand", "Morning Glory", "Night of the Monster" and "Children of the War".

Path to Conquest by Howard Weinstein (Tor, Sep 1987).
Surviving the axing of "V: The Series" and the original novels moving to Tor, Diana and Lydia attempt to change Earth's weather patterns.

To Conquer the Throne by Tim Sullivan (Tor, Nov 1987).
The Great Britain resistance attempts to thwart the Visitors' latest plot.

The Oregon Invasion by Jayne Tannehill (Tor, Jan 1988).
The Pacific Northwest of USA is the next area threatened by the Visitors.

Below the Threshold by Allen Wold (Tor, Mar 1988).
The Northampton and Freeport areas are under threat.

Symphony of Terror by Somtow Sucharitkul (Tor, May 1988).
A Ninja lends assistance to American resistance cells.

V: The Second Generation by Kenneth Johnson (Tor, Feb 2008).
The creator's long-awaited sequel! Follows up the events and characters of the original television mini-series, twenty years on, but ignores everything else.

V: The Original Miniseries by Kenneth Johnson & AC Crispin (Tor, Nov 2008).
A re-presentation of Crispin's novelization of "V", with an all-new epilogue by Johnson, which ignores "V: The Final Battle" and sets up new characters and events for "V: The Second Generation".

V UK Visitation

V: UK Visitation, Volume 1 by Jonathan Morris, based on "V" by Kenneth Johnson (Big Finish, Nov 2025; 180 mins on 3 discs).
A full-cast audio drama which reimagines the original TV mini-series' plot, with the modern-day setting of the United Kingdom in the 2020s. Three one-hour episodes.

List last updated: February 2025.

Monday, April 09, 2007

How I got into science fiction media

As a kid, I followed "Batman" on TV (so cool!), and vividly recall reading "The Lion, the Witch and the Wardrobe" in the 60s. At high school, we were expected to read "The Black Cloud" (by Fred Hoyle) and "The Hobbit" (Tolkien) as set novels. Then came two attempts to read "The Lord of the Rings". The introduction of colour TV in 1975 saw the return of "Star Trek: The Animated Series", as repeats during the innovative and new breakfast TV, plus a few selected "Star Trek" episodes on weekends.

At teachers college we were expected to read "Dune" (Frank Herbert) in our literature course, and produce an essay on ewater symbolism, but I didn't like the book much, and preferred that lousy motion picture they made, featuring Sting in bizarre silver underwear, and where it rained at the end (two books too early, I believe)!

Movie releases that swept me away in the 80s included "Superman: The Movie", "Barbarella" (which I saw at someone's Christmas party on 16 mm), "Star Trek: The Motion Picture" and "Superman II", quickly followed by the first "V" mini-series on TV. "Star Trek II: The Wrath of Khan" was a popular hit, and ensured that TOS repeats returned in prime time! Somehow I missed the "Star Wars" phenomenon until "The Empire Strikes Back"; the magazine "Starlog" became an essential monthly purchase.

From 1980, I had become deeply involved in "Star Trek" fandom, and began attending conventions, writing fan fiction and skits, publishing fanzines, making costumes, collecting rumours about new trek projects, and producing a regular column for the NSW club's newsletter. Since the 90s, as fan club activities and conventions became more splintered, I began using the Internet to satisfy my Trek yearnings. As a direct result of "Star Trek", I now read general science fiction novels by the likes of David Gerrold, Larry Niven, Vonda McIntyre, Peter David and others. I still buy and read all the licenced "Star Trek" novels and comics, and "Starlog".

Friday, October 13, 2006

ConQuest in review

As Australian fan-run, "Star Trek" and science fiction media conventions go, ConQuests in Brisbane are certainly predictable, reliable, informative, friendly annual events. The recent ConQuest Silver Jubilee convention filled in all the blanks and coloured by all the numbers. I did have a predictably reliable, informative and friendly time.

Even though the last few weeks of the school term were a blur, I managed to book some air flights online and began to anticipate a relaxed holiday away from Sydney, departing mere hours after farewelling my students for their spring vacation.

I travelled to the first ConQuest 25 years ago, when I was a wide-eyed, naive "Star Trek" newbie - actress Grace Lee Whitney (Yeoman/Transporter Chief Janice Rand) was the last minute special guest of honour, much to my surprise - as I was, erm... "volunteered" to represent New South Wales fans, and the ASTREX "Star Trek" club, at the inaugural meeting of a national committee to establish a consistent set of rules/suggestions for running annual NatCons and organised fan Awards. Grace was a very exciting guest - well, I thought so but she was "too American" for some rather critical fans' tastes. And, according to an interview Ms Whitney did for Starlog magazine years later, meeting Australian fans actually helped her over her disappointment about not being in "Star Trek II", and put her on the road to recovery from many of the turmoils that had dogged her career.

During the next week, a friend and I were able to meet Grace for coffee at Sydney's airport when she flew in from Brisbane on her way home, and escort her to the international terminal. She made me promise to visit her in Los Angeles, and it was a thrill to do so in January 1984, just days after she'd filmed her secret "Star Trek III" cameo.

I raced back for the 1983 ConQuest, anticipating another last-minute guest, but the surprise was... no guest! It was at that con that I became aware of one of ConQuest's most unique and rather quaint attitudes to conventioneering: timetables were made to be broken, at least in Queensland. I've never understood the logic of spending months planning and promoting a full (and often multi-strand) order of events, only to leave each event to ran way overtime, and then have a seated audience waiting interminably for the next speaker to arrive. Only a few ConQuests over the decades have escaped this modus operandi.

My next ConQuest wasn't until 1989, having regretted letting 1988 go by and hearing how great it, George Takei (Mr Sulu) and Expo were! In 1991, I ended up on a panel about "Star Trek" fandom with no less than James Doohan (Scotty), John deLancie (Q), Richard Arnold ("Star Trek" Archivist) and New Zealand's Lana Pennington-Brown (who'd eventually become the namesake of DS9's Pennington School). At 1992's robot-themed convention, I stripped an audience member to his underpants and painted him metallic gold from head to toe!

At 1994's ConQuest, which had Jonathan Del Arco (Hugh the Borg) as guest, and a time-travelling theme, I was Master of Ceremonies. We started with the Closing Ceremony and time ran in reverse all weekend, finished up with the Opening Ceremony. Did I mention that I love running gags at conventions? Ironically, this convention (and Robocon) ran pretty well to time!

After that the next few conventions become a fuzzy haze of distant memories, but with ASTREX imploding back in Sydney, as an Official Australian Star Trek Club was licensed by Paramount, the annual pilgrimage to Brisbane was becoming a most welcome respite, and my only face-to-face contact with other "Star Trek" fans.

Anyway, this year's ConQuest put Gary Lockwood ("2001: A Space Odyssey" and the second "Star Trek" pilot, "Where No Man Has Gone Before") and Keir Dullea ("2001"; "2010") in the international guest spotlight, along with now-regular ConQuest visitors Richard Arnold (former "Star Trek" Archivist) and the wacky Katy Manning (Jo from "Doctor Who").

I guess I enjoyed the "2001" talks, although there was very little "2001" discussed in those sessions because Katy Manning, playing interviewer, keep taking the actors back to their roots. I was only on a day membership this year, so her promises to get back to "2001" the next day were lost on me. I much prefer Katy as a guest, rather than as a guest interviewer. No matter, there was a great room party on the Friday night, the Saturday night had the aforementioned banquet with "Starship Exeter", I was reunited with many old friends - and I snagged an excellent rarity from Richard Arnold (former ST Archivist at Paramount, and "ST Communicator" columnist) in his "Star Trek" auction: a German disco version of the theme from "Star Trek Generations", complete with Patrick Stewart frequently stating "Make it so!".

Interestingly, Richard got to see his first fan film that night! I understand he'd not seen any of the current crop up till now - although he knew about them, of course, and is friends with several people who've been making "New Voyages" episodes. (He spoke about them during his auction.) According to people at his table during the screening, Richard was pleasantly surprised and interested in "Exeter"; especially cool for me since it has no canonical characters in it (except a pre-ST VI Chang) and, had "The Savage Empire" been a licensed "Star Trek" novel or comic proposal, it would never have passed muster under Richard's old vetting rules when he worked at Paramount.

Going to Brisbane for the convention also gave me a great excuse to "do the rounds" of some favourite haunts: books and collectibles shops like Pulp Fiction, Daily Planet, Ace Comics, Egg Records, Comics Etc and the huge Toyworld in the CBD. Alas, Pippin's Old Toys had abandoned their shopfront in Clayfield.

Not to mention the Big Brother house at Dreamworld! But that's a post for another day.

As I said, ConQuests are certainly predictable, reliable, informative, friendly annual events. You get much closer to the celebrity guests of honour at these fan-run conventions than the larger commercial ventures and, if you can adjust to the laissez faire timetabling, you'll have a great experience.