Year 3 of the 52-Week Illustration Challenge, Week 4

Week 4: Swimming

Collaged watercolour and cartridge papers, with Puffy Paint and watercolour highlights and shadows on a background of scrapbooking glitter paper. Based on several images found in a Google Image search.

Update:

Week 4: Swimming II

Black Sharpie cartoons on pearlescent sculptured paper, with salted watercolour highlights, collaged onto cartridge card.

Year 3 of the 52-Week Illustration Challenge, Week 3

Week 3: Theme Park

"The Rotor, Luna Park Sydney." Red and gold Quill Metallique and black card, cut freehand, and collaged onto Ingres paper. Human characters detailed in black and white Sharpie and watercolours.

Update:

Week 3: Theme Park II

In memory of the late S John Ross, silhouette artist at Luna Park and theme parks and agricultural shows all over Australia. Collage and silhouettes using natural shadows.

Week 3: Theme Park III

"Mr Minotaur's A-mazing Theme Park". Black Sharpies, white opaque Signo and watercolour on Quill "marbletone" cream paper. Details in watercolour pencils and some yellow Puffy paint.

Year 3 of the 52-Week Illustration Challenge, Week 2

Week 2: Outdoors

Collage and silhouette using Ingres papers, flocked cardboard, oil pastels and nylon cord on grey Ingres background.

Update:

Week 2: Outdoors II

"N-n-n-n-next!" Cartoon in finepoint black Sharpie, oil pastels and watercolour wash, collaged onto Ingres paper.

Week 2: Outdoors III

"Corellas' annual visit." Watercolour miniature. Masking fluid and black and white Sharpie highlights on watercolour paper. Based on my own photograph. This piece utilised an old offcut; it's only 85mm x 95mm.

Week 2: Outdoors IV

"Vasquez Rocks, Los Angeles." Watercolours with black and white Sharpie highlights on remnants of watercolour paper, mounted onto Ingres paper. Based on a photograph from my 2013 vacation album.

Year 3 of the 52-Week Illustration Challenge, Week 1

Week 1: Fancy Dress

"Before and after." Watercolour clown sketch over black finepoint Sharpie and masking fluid on watercolour paper, with a collaged silhouette.

Update:

Week 1: Fancy Dress II

"Betelgeusian Chief Ambassador." This is the most expensive Hollywood costume ever worn in a movie by a screen extra - valued at $US10,000 in 1979 - but is barely glimpsed in the movie, Star Trek: The Motion Picture. The bolt of fabric used in the garment dates back to Cecil B. DeMille and contains real gold and silver thread. Very fancy dress! Oil pastels and Kindy Glitter Glitz on Quill "marbletone" cream paper, and based on a publicity still.